All hung with jewels

Several years ago I wrote an impassioned email to a music entrepreneur of my acquaintance outlining why I thought the Bunnymen were wasting their legacy and that what they should be doing was staging epic set piece shows backed by strings to fully display the majesty of many of their songs.

I also suggested that he was the right man with the right connections to get them to do it.

He didn’t reply.

Probably because acting on ranting emails from over-emotional fans isn’t the best way to stay in business.

But anyway, years later the Bunnies seem to have come to the same conclusion and now appear to be treating their back catalogue with the reverence it deserves.

In the middle of a tour promoting an album where some of their songs have been creatively reimagined, they also dropped in at Warrington’s Parr Hall for what was effectively a short, sharp greatest hits and karaoke evening.


I’ve seen a lot of bands and very, very few ever pack the punch that the Bunnymen deliver when on their game.

This, thankfully, was one of those evenings when Ian McCulloch keeps much of his between-song asides brief and his in-song freestyling even briefer.

So what we got was faithfully delivered belters from start to finish.

The chiming intro to Rescue that never fails to thrill, a storming Never Stop, mass singalongs for Seven Seas, The Cutter and The Killing Moon, the power and atmospherics of Zimbo and Over The Wall, a very good new song in The Somnambulist and there you have the core of a set that in my opinion few bands can touch.

I’m grateful to still be able to see them in places like the Parr Hall and for less than £30, but, perversely, I still wish they were playing these songs to much bigger audiences and, more than likely, at higher prices.





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